All Master of Moulins 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
52198 Anne de France, Wife of Pierre de Bourbon  Anne de France, Wife of Pierre de Bourbon   1498-99 Panel, 157 x 63 cm
32397 Anne of France presented by Saint John the Evangelist  Anne of France presented by Saint John the Evangelist   1488 Panel
2888 Coronation of the Virgin  Coronation of the Virgin   c1500 Notre Dame, Moulins
23393 Coronation of the Virgin (nn03)  Coronation of the Virgin (nn03)   c 1500 Oil on panel 157 x 142 cm 61 3/4 x 55 7/8 in Notre Dame Moulins
81394 Dauphin  Dauphin   1494(1494) Medium Oil on wood cyf
77661 Dauphin Charles Orlant  Dauphin Charles Orlant   Date 1494(1494) Medium Oil on wood cyf
51055 Madonna and Child Adored by Angels  Madonna and Child Adored by Angels   c. 1490 Oak, 38,5 x 29,5 cm
32401 Mary Magdalen and a Donator  Mary Magdalen and a Donator   1498-1500 Panel, 53 x 40 cm
32396 Pierre de Bourbon and his Patron Saint  Pierre de Bourbon and his Patron Saint   1498-99 Panel, 157 x 63 cm
32402 Pierre II, Duke of Bourbon, Presented by St. Peter  Pierre II, Duke of Bourbon, Presented by St. Peter   1492-93 Wood
41288 Portrait of a Young Princess  Portrait of a Young Princess   mk161 Tempera on panel
32398 Portrait of Charles II of Bourbon  Portrait of Charles II of Bourbon   c. 1485 Tempera on panel, 35 x 27 cm
43546 Portrait of Charles II of Bourbon  Portrait of Charles II of Bourbon   1451-1500 c. 1485 Tempera on panel, 35 x 27 cm
84570 Portrait of Margaret of Austria  Portrait of Margaret of Austria   Date between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cjr
88424 Portrait of Margaret of Austria  Portrait of Margaret of Austria   between 1490(1490) and 1491(1491) Medium tempera and Oil on wood cyf
43538 The Annunciation  The Annunciation   1451-1500
83260 The Annunciation  The Annunciation   Date 1500(1500) Medium Oil on wood cjr
64253 the dauphin charles orland  the dauphin charles orland   1495 paris louvre
81794 The Dauphin Charles Orlant  The Dauphin Charles Orlant   1494(1494) Medium Oil on wood cyf
78059 The Dauphin Charles-Orlant  The Dauphin Charles-Orlant   1494(1494) Oil on wood Width: 33 cm (13 in). Height: 39 cm (15.4 in). cjr
78677 The Dauphin Charles-Orlant  The Dauphin Charles-Orlant   1494(1494) Oil on wood Width: 33 cm (13 in). Height: 39 cm (15.4 in). cjr
62958 The Doctors of the Church  The Doctors of the Church   1290-95 Fresco Upper Church, San Francesco, Assisi St Jerome sits facing his companion. Both are engrossed in a book. The artist establishes the connection between the two figures with great understanding for the cutvature of the surface. It is striking, too, just how many details - such as those on the writing desk - enliven the scene, although it is at great distance from the viewer. This fresco was destroyed in the earthquake of autumn 1997 along with the related figures of saints on the wall arch. Artist: MASTER of the Isaac Stories Painting Title: The Doctors of the Church (detail of St Jerome) , 1251-1300 Painting Style: Italian , , religious
42936 The Meeting of Saints Joachim and Anne at the Golden Gate  The Meeting of Saints Joachim and Anne at the Golden Gate   mk170 circa 1500 Oil on oak 72x59cm
21269 The Nativity of Cardinal Jean Rolin (mk08)  The Nativity of Cardinal Jean Rolin (mk08)   c.1480 Tempera on wood 55x73cm Autun,Musee Rolin
96979 The Virgin and Child before a Firescreen  The Virgin and Child before a Firescreen   1430(1430) Medium oil on panel cyf
Master of Moulins
French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.



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